by Rachael Crosbie.
In "Sestina", the waltz of the stanzas lures you in similarly like The Haunting of Bly Manor—you’re in for a gothic piece dipped in romance. Also, there’s a lake involved. While violent, the poem is beautifully written, and its sestina form pushes the narrative forward better than any other poetic form.
“Tonight my car’s headlights will beam the lake / cuing that waltz which lulls me back to Luke.” This immersive recount of a lost love pushes and pulls you throughout the poem, a natural ebb and flow, the dichotomy of life and death. Like the water in the lake, there is a certain stillness between the waves, a moment in the waltz, where that gap between life and death comes through.
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